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James Cameron’s ‘Avatar: The Way of Water’, which is predicted to record a bumper start at the opening weekend, is all set to release this Friday.
The first Avatar was a pioneering 3D sci-fi spectacular that Cameron delivered in 2009 was a huge hit and now after 13 years of unimaginably expensive pixel-crunching, the aquatic follow-up has arrived and will soon hit the screens.
The sequel is available in 3D and 2D. The whole idea of the ‘avatar’ from the first movie is the artificially created body that can be remotely piloted into an unknown world. It crucially formed a dramatic part of the audience’s 3D experience – has been left behind.
Plot
The situation is that ex-human Jake Sully (Sam Worthington) is committed to the Na’vi body he assumed when insinuating himself among the blue-bodied, pointy-eared tribe as part of the “avatar” strategy in the first movie, before falling in love with dynamic warrior Neytiri (Zoe Saldaña) and siding with her people against the humans who would exploit the Na’vi’s mineral resources.
Now, some years later, Sully and Neytiri are living happily with their children and their stepdaughter Kiri – whose connection with the original film soon becomes apparent – and also a semi-feral human kid called Spider.
Read more: ‘Avatar: The Way of Water’: When is the sequel releasing?
But just when they thought they were happy, the “sky people” of planet Earth reappear and there is an admittedly ingenious twist concerning the gung-ho marine colonel Miles Quaritch, memorably played by Stephen Lang.
What do critics have to say?
According to critics, Cameron’s undersea world is like a trillion-dollar screensaver. The effects now, technically impressive as they are, amount to high frame-rate motion smoothness.
‘Avatar: The Way of Water’ is an out-of-body theatrical experience that makes its predecessor feel like a glorified proof-of-concept,
“Avatar: The Way of Water” is such a staggering improvement over the original because its spectacle does not have to compensate for its story; in vintage Cameron fashion, the movie’s spectacle is what allows its story to be told so well.
