Nadaaniyan had a different actor and a different story, but the biggest beneficiary was Arjun Kapoor. Why? Because after watching this film, one thing is 100% confirmed: he is the best actor in his entire film family, according to Deeksha Sharma, the host of Filmy Indian.

In her video on Saturday, Deeksha Sharma stated that this movie was released at the wrong time. The perfect release date should have been April 1—April Fool’s Day. It would have come and gone, just like the film.

She said, “I wish Shaktimaan had a superpower that could erase the last two or three hours from our memory. The world would be a much better place.” She continued sharing her thoughts, creating plenty of comedy for her fans, as under:

There was a time when we used to judge Alia Bhatt and give all the credit to Sara Ali Khan. But now, we have to witness this? Even the nepotism industry itself would refuse to adopt her.
Even watching JCB excavation videos would be more entertaining than this film.
It deserves minus five stars out of five, just in case someone leaves the review in the middle. That way, they’ll at least know watching this film is a sin that even taking a dip in the Ganges won’t wash away.
Do you know the biggest mystery in the world? It’s not water on Mars, or Koi Mil Gaya’s Jaadu, or even what Honey Singh’s family is afraid of. The biggest mystery is: What kind of drought hit the film industry that they cast her as the lead actress in three consecutive films?
This acting proves that if someone truly wants to be an actor, they should take notes on what not to do.
Actors like Vineet Kumar are still struggling for lead roles, Sohum Shah is funding his own films, and then we have this—where everything except a good film is being produced.
As kids, we got chocolates to make us happy. These people get entire films.
The word “audition” exists only for the poor. Others just raise their hand and decide which film they want to become an “actor” in.
There was a time when actors like Ranbir Kapoor made their debut. Now, people don’t debut as actors; they are born as stars. If someone criticizes them, their PR team starts fighting.
All this mess was created by just one phenomenon—you already know: Papa ki pariyan (Daddy’s angels). But this has gone beyond that; now it’s Uncle’s treasures.
At first, it was Yeh Jawaani Hai Deewani, then 2 States, then Student of the Year 2. Dharma Productions has gradually lost its “Dharma” (righteousness).
If they cut off the hands of those who built the Taj Mahal, then the people who made this movie deserve to be displayed in a museum as a warning to future generations.
The plot? A girl is looking for a rental boyfriend to prove to her friends that guys can also chase her. They fake their love, post weird photos, and—shocker—the fake relationship turns real.
The girl’s mom complains that her daughter didn’t find a guy of her “level.” And who is this “random guy”? Oh, just the son of the city’s most famous doctor, whose mom is a professor at the richest college, and who lives in a palace-sized house in NCR. But according to this movie, he belongs to the lower class.
These people wonder why the audience doesn’t connect with their films. Maybe step outside your luxury rooms and see the real world. Then, maybe, just maybe, you’ll make a good film.
If there’s anything worse than the film’s story, it’s the actress’s dialogue delivery. Once you hear it, you won’t dare to listen again. The dialogues are Oscar-worthy, but the way she speaks sounds like an alien language.

This is the first Bollywood film where the hero has been used as a showpiece. Usually, it’s the actresses who are dressed up and placed in a corner. But here, the male lead is a poor man’s Devta (God of poverty). This isn’t a debut; it’s a disaster declaration.